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"Come and Visit Again"

Vuyatela means "come and visit again", a term that typifies African hospitality. Vuyatela is an expression of modern South African culture - a mix of different peoples from all corners of the world, the strongest influence being African.
South Africa has become the melting pot of Africa and our cultural heritage stretches from mud huts with thatch through to Great Zimbabwe to Kwaito (a new music form with elements of township jazz, hip-hop and rap, as well as reggae). Rural villages in South Africa epitomize this fusion of influences and the homesteads in such villages are an amalgamation of ancient building techniques through to modern building materials. The homesteads in these villages are a collection of small buildings, each in a different style.
Each of the chalets at Vuyatela is a collection of buildings joined to each other. The private lounge is separated from the bedroom by a beautiful Teak deck

 
Local building techniques were the inspiration from which Vuyatela evolved.

 

You will notice that each of the buildings that make-up your chalet, or "Kaya" (Shangaan word for house), is built in a different technique. Wood frames with packed stones, mud walls painted with buffalo dung and structural elements such as support poles for the roof on the outside of the hut. You will see the gables on some of roofs, this has a three hundred year history in South Africa with the arrival of the Cape Dutch style of gables found on the farmsteads in the southwestern Cape which, has been re-interpreted by modern Shangaan people.

 

The ceiling , the thatch on a Chalet's lounge and the teak deck.

 

Some of the "Kaya’s" have abstract patterns painted on the walls and others have even domestic scenes painted on. Pippa, with the help of talented friends, has created a set of mosaics for each room and these colourful patterns and symbols add to the atmosphere of each "Kaya". In the main building the name of the bar, "Shebeen" (bar in South Africa) and of the curio shop, "Spaza", were made of brightly coloured tiles with exquisite attention to detail.

 

In the main building the "Shebeen" (bar in South Africa) , were made of brightly coloured tiles. The paintings in the rest room were done by Pippa.

 

Southern African Cuisine is a fusion of tastes, textures and cultures resulting in a multi-faceted cuisine: a cuisine formed by settlers and inhabitants alike; exotic traditions intertwined with local food and customs. The foundations of this "Rainbow Cuisine" is an eating adventure from Malay to Zulu, Afrikaans to Italian, Shona to good ol' British fare. Suzi Holtzhausen created the unique cuisine.
Furthermore, all the crockery is glazed with geometric ethnic designs and fired them in the kiln at the Lodge.Vuyatela is truly a hands-on creation.
All talents in the Djuma team had been pooled and Pippa's artistic background is especially evident in the mosaics and crockery which she, Mare van Noordwyk and Andrew McLeod (two talented friends) created.

 

All talents in the Djuma team had been pooled and Pippa's artistic background is especially evident in the mosaics and crockery which she, Mare van Noordwyk and Andrew McLeod created.

 

The main lodge is constructed of dark hardwood and stainless steel ,with a tall viewing platform. A long dining table stretches beneath two amazing chandeliers made from hundreds of clear Coca-Cola bottles. Behind the table is an enormous fish tank set into glistening glass blocks. The waiters and waitresses wear trousers printed with a bright fish motif. When scanning the dry bushveld stretching forever around the camp, the fish theme seems curious. It has logic, however, in that the large aquarium in the dining room concentrates on seven species of fish endemic to the Kruger area.

 
The Dining Room with the aquarium. The chandeliers are made of empty Coca- Cola bottles.

  This truly traditional Southern African approach has been adopted from the decor right the way through to the culinary delights our guests will experience. Modern art in South Africa is vibrant with ancient African influences and modern necessities and interpretations. Thus African symbolism in the form of masks and carvings are re-interpreted in modern materials. Since many artists expressing themselves in South Africa today do not have access to much in terms of resources – monetary or otherwise – the materials used are recycled from everyday life. This results in a colourful and vibrant art. Chandeliers are made out of glass Coca Cola bottles, paper mache bowls are lined with packaging from everyday life – Boxer Tobacco, Lion Matches, King Korn, to name a few and the file folders are made of flattened cool drink tins. The three dimensional collages in the rooms are made with discarded shoe rubber and the cloths are printed with labels from household brand names such as OMO, Lucky Star Pilchards, Tiger Oats, etc. These exquisite examples of South African art make up the decor of Vuyatela. All of this is reminiscent of Pop Art from the sixties- especially Andy Warhol, with an almost organic African interpretaion.  

Detail of some the art in the reception. These four montages made of scrap iron and cardboard depict township scenes. The lounge where some of the most superb examples of a vibrant South African art adorns the walls.


"COME AND VISIT AGAIN"

Many and diversely talented people partook in the Vuyatela project. I mention a few of the principle participants. Architect Niell Crafford of Crafford & Crafford Architects designed Vuyatela. Telford Construction built Vuyatela. Suzi Holtzhausen created the unique cuisine. Caline and Samantha decorated Vuyatela. And the local communities of Dixie and Utha provided the skills and labour necessary for the construction of Vuyatela. We endeavoured to source local skills as far as possible and used human labour, rather than big machinery, to accomplish the building of a unique lodge.


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Djuma Game Reserve
P. O. Box 338, Hluvukani, 1363, Mpumalanga, South Africa
Tel: (+ 27 13) 735 5118
Fax: (+ 27 13) 735 5070
 



 
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